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Sherwin Rivera Tibayan
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There are a handful of young artists I know who turn a skeptical eye to the golden promises the professionalization of the arts hold out. I am always happy when I have conversations with these holdouts because it is distressing to see how many really talented people give in to the demands of the market place.Yet we live at a time where the infiltration of the marketplace is almost impossible to avoid, for anyone including older artists like me. It is a constant struggle to not give in the forces that demand dumbing down and homogenization.It takes takes enormous vigilance to not succumb to it’s tyranny, to honor your own trajectory, no matter how modest it may seem in the eyes of the world.There is simply no substitute for the developmental arc, no matter what you engage in, making art or being a shoemaker. Once you develop your vocabulary and your personal style it is very easy to make your art into product but in focusing on making product, you lose out on learning how to make art.
Letter To A Young Artist # 1 Penny Arcade (via photographsonthebrain)

(via photographsonthebrain)

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teresarcervantes:

Temporary Structure
Archival Inkjet Print
24 x 36”

teresarcervantes:

Temporary Structure

Archival Inkjet Print

24 x 36”

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saracwynar:

Contemporary Floral Arrangement 5 (A Compact Mass), 2014

saracwynar:

Contemporary Floral Arrangement 5 (A Compact Mass), 2014

nevver:

The problem with art

nevver:

The problem with art

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magnificentruin:

Robert Adams

magnificentruin:

Robert Adams

Boombox

cathrynrowe:

image

image

Sketch & final boombox illustration I did a couple years ago to promote a music hackathon that took place at my office.


SOLIMIDE® Polyimide Foam

SOLIMIDE® Polyimide Foam

(Source: centuria, via vuls)

hyperallergic:

(via The Values of Louise Lawler)
At the core of artist Louise Lawler’s work is the question of place, by which I don’t mean simply a notion of geography, but also hierarchies. She often steps back from creating substantial physical objects, instead preferring documentation that offers a window — and more importantly, distance — so that the viewer can reflect on cultural and economic value systems that prop up the art object.
READ MORE

hyperallergic:

(via The Values of Louise Lawler)

At the core of artist Louise Lawler’s work is the question of place, by which I don’t mean simply a notion of geography, but also hierarchies. She often steps back from creating substantial physical objects, instead preferring documentation that offers a window — and more importantly, distance — so that the viewer can reflect on cultural and economic value systems that prop up the art object.

READ MORE

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Translation of Edvard Grieg’s “Puck” (2010)

cathrynrowe:

image

Work from a few years ago. Creating a personalized system to help me read music more easily. See more process here.

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